The following is
from a talk presented at the October 17, 2001, premier of
A
New Deal for the Palisades, a half-hour video produced by the staff of the
Kearney House. The video features restored
16-millimeter film footage shot in
the NJ Section by park workers in the 1930s and early 1940s, accompanied by
narrative from park documents of the day and a “live” theater-organ score.
I love this story.
It is part of my family history, and a part of many of yours, too. Our
grandparents and great-grandparents remember this park, even if many people
living in this area are not yet familiar with this treasure called the
Palisades.
This story
fascinates me on many levels. One that affects me deeply is knowing that women
had such an influence on saving the Palisades. Think about that a moment. When
the women’s clubs helped save the Palisades, they still had another twenty
years to go before they would even have the right to vote. I stand here as a
civil engineer knowing that it was women like these who changed the world so
much that in my lifetime, my gender hasn’t even slowed me down. They were
remarkable. But it was a joint effort. I like to say that women saved the
Palisades, but it was men who built the park. They did so with cheerful hard
work. Backbreaking effort and sweat. As a former Youth Conservation Corps member
on the Palisades in 1981, nearly half a century later, I had a glimpse into just
what it was like to be one of those hard working boys you’re about to see. We
owe them such gratitude for their labors. What is amazing is that we can today
show you their story. It will answer so many questions you might have about who
built what and when. Many areas of this park remind one of a J.
R. R. Tolkein
story. You see stone stairways cut into the side of this mountain we call the
Palisades, and they look ancient, as if they were hewn ages ago. After seeing
this footage, you will know how it really all happened.
The narration is
special because it is from the same time period as the images. You will hear
from the voices of that time, not our twenty-twenty hindsight. They do not know
what is about to come next. In fact, many of the children you will see, playing
and splashing about, are the very same young men and women we sent off to fight
and serve in World War II ten years later. Many did not come back. This was
their innocence.
Before we found much
of this footage, we had started a modest effort to uncover and reprint some of
the most interesting photos located in our darkroom. I was fascinated to find
70-year-old
five-by-seven-inch negatives in such beautiful shape that we could zoom in so close
to pictures of the kiddie pool that we could see expressions on the faces of
these children. With the help of volunteer Paul Merino, we began darkroom work
to bring some of these photos back to light. Several were turned into postcards—my
favorite of course is the one I found of the two men with the truck working on
construction of the Henry Hudson Drive in 1934. My sister, also trained as a
civil engineer, was with me when we made the first modern print of that gem. The
darkroom and archiving work is now continued with two gifted young men with
wonderful photography skills. They are carefully preserving our history for us,
and should be thanked for their help—Chad Hill and Tony Taranto.
In the course of
cleaning the darkroom to make our work easier, reels of film turned up. To our
surprise, some even in color. Needless to say, if I was impressed by just the
ability to zoom in on a child’s smiling face, imagine my delight in actually
now being able to see that child splashing around in the Hudson in real time. It
was the difference between hearing a ghost story and being confronted with an
actual ghost. I still am delighted every time I see this footage. It makes it
all so real to me. I can even imagine I see my grandfather in some of these
images—he would look like a young man of twenty. He is ninety now. I hope you are
all as delighted as I am that we found these images and are able to show them to
you today.
Carol Hoernlein first worked in the NJ
Section in the 1980s with the Youth Conservation Corps. She went on to
work for the park in various capacities, from boat steward to accounting clerk,
and finally as an assistant civil engineer. Carol is now a professional civil
engineer in the private sector, but remained involved as a volunteer in the
production of the New Deal video, and served as a narrator for the
finished project.